Objectives, Obstacles (counter objective), and Actions
Objective – Pertaining to the object or end. Something aimed at or
striven for.
The main purpose of establishing bits/units is to unlock the motivation of the character. Why they do what they do and say what they say. I.e. What they want/desire/dream.
At the heart of every beat lies a character’s objective and that objective must be encapsulated by a verb, (a doing word). The best way to express an objective is like this:
E.g. Antigone: "I want to honour our brother”
If you want something, you have to do something to get it. Hence Stanislavsky’s phrase: "every objective must carry the germ of action".
Obstacle- That which stands in the way or opposes; a hindrance, an
obstruction to one’s progress.
All drama is conflict so you cannot have an
objective without an obstacle.
You might not achieve your objective as someone else's objective might directly counter yours. Hence someone else's objective becomes your obstacle. So Antigone’s, "I want to honour our brother” is countered by Creon’s objective, "I want Polynices to pay for his crimes".
Your objective must be exciting and passionate not cold and un-emotional. It must burn and you must pursue it until you either drive it home or it changes.
Action – The doing of something; being in motion or operation. The
influence or effect of something on something else. A series of events forming
the subject of a play.
An action is what you must do to get what you want - this is most usefully expressed by a transitive verb - something you do to someone else. So, if Antigone’s objective is to bury her brother what is she going to do to achieve this?
She attacks Creon
She blanks Ismene
She seduces Haemon
A different action can be played on every phrase or
line of text in an attempt to achieve your objective. This process helps actors
to keep their performances fresh, truthful and reactive. Your objective will
stay fixed but your actions may change allowing you to make your performance
different every single time.
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